Ocean Way Studios running in REAPER

Sentient Plugins

Talk to the plugins in your session. Compressors, preamps, EQs and full console channel strips — describe the sound you want and the plugin follows, on its own real controls.

Sentient Systems Labs · Bobby Brooks

The Problem

Engineers hear in words,
not knob positions.

“Warmer.” “More air.” “Glue the drums.” “Take the edge off.” That's how a mix is talked about in every room. Then someone has to translate it into attack, ratio, Q and drive — one plugin at a time, with the music stopped.

“You know the sound you want. You shouldn't have to hunt for it.”
The Solution

You describe it.
The plugin follows.

Sentient Plugins puts a voice agent on each effect and channel strip in your REAPER session. Say what you want the way you'd say it to another engineer and the plugin's own controls move — the same knobs you'd turn by hand. Say “perfect” or “too much” and it learns your amounts, so “warmer” ends up meaning your warmer.

Arturia

Comp FET-76 and Pre TridA.

The classic FET compressor and the Trident-style preamp and EQ. “Squash the vocal a little.” “Faster attack.” “More top on the left channel.” “Load the drum bus preset.”

Arturia Comp FET-76 in REAPER
Arturia Pre TridA in REAPER
Comp FET-76 and Pre TridA, each running on a track in REAPER.
Channel Strips

Metric Halo ChannelStrip
and the KIT 1073.

A full console strip — gate, EQ, compressor — and the Neve-style 1073 preamp and EQ. “Cut some low mid.” “Gate the room out.” “A little more 1073 drive.”

Metric Halo ChannelStrip in REAPER
KIT BB N73 in REAPER

Every control on the strip is reachable by name or by feel. Ask “what's the threshold on the gate?” and it reads it back; ask “how does the de-esser work?” and it answers from the plugin's own manual.

Universal Audio

Avalon, Ocean Way,
SSL and Helios.

The Avalon VT-737 tube channel, Ocean Way Studios room and microphone modelling, the SSL E-series channel strip and the Helios Type 69 preamp and EQ — each with its own voice agent. “More room on the drums.” “Open up the top on the SSL.” “Warm the vocal on the Avalon.”

UADx Avalon VT-737 in REAPER
UADx Ocean Way Studios in REAPER
UADx SSL E Channel Strip in REAPER
UADx Helios Type 69 in REAPER
UADx Avalon VT-737, Ocean Way Studios, SSL E Channel Strip and Helios Type 69, running in REAPER.
It Learns You

Your words.
Your amounts.

Every reaction teaches it. Save a setting and it asks what you'd call it — “my Motown vocal”, “the fat snare” — and later those words bring it back. Over time each plugin learns how you hear, so the first move is closer every session.

Everything it does

The full list.

Shape by feelWarmer, brighter, more presence, less aggressive, glue it, squash it — the plugin's own controls move.
Learns your tasteSay “perfect”, “too much” or “not enough” and it learns what your words mean to your ears.
Exact values“Ratio four to one”, “input up 3 dB” — name a control and a number and it goes right there.
Read any control“What's the threshold?” — it reads the setting back.
Every controlLists every control on the plugin and reaches all of them.
Factory presets by name“Load the vocal preset” — any of the plugin's own presets.
Save your soundSave the whole plugin state under a name.
Describe it your wayAfter a save it asks what you'd call it, and finds it later by those words.
Recall a soundBring back any saved setting, exactly.
Your saved listAsk what you've saved.
ResetBack to the plugin's default, clean slate.
Knows the manualAsk how a control works and it answers from the plugin's own manual.
One agent per pluginEach plugin has its own voice agent, all in one place.
Works on the real pluginThe same controls you'd turn by hand, inside your REAPER session.
The Team

Built by Bobby Brooks and his exclusive secret agent team of world class musicians.

Bobby Brooks
Bobby Brooks
Concept & Architecture
Recording engineer, producer, and music educator with over 45 years of professional experience. Former staff engineer at Motown's Hitsville Studios, the legendary Universal Recording Corporation in Chicago, and Wonderland Studios. Bobby's artist credits include Michael Jackson, Stevie Wonder, Prince, Whitney Houston, Quincy Jones, Bruce Swedien, Jimmy Jam & Terry Lewis, Rick James, Teena Marie, Eddie Murphy, Andre Cymone, Jody Watley, Ice-T & Body Count, Black Sabbath, P.O.D., Def Leppard, Motörhead, Sepultura, DeBarge, The Notorious B.I.G., The Fugees, Lazy & Crazy Bone, 2Pac, Maurice White, Mariah Carey, Stanley Clarke, Brandy, Berry Gordy, Smokey Robinson, Patrice Rushen, The Temptations, Third World, The Dazz Band, George Duke, Billy Preston, Chaka Khan, MC Hammer, Gerardo, Diana Ross, Herb Alpert, Lionel Richie, Ray Parker Jr., Tina Turner, Snoop Dogg, Nate Dogg, Common, Baby, Dionne Warwick, Aaliyah, The Jacksons, Ray Charles, and many more. His credits include two Super Bowl halftime shows — Super Bowl XXVII with Michael Jackson (1993) and Super Bowl XXX with Diana Ross (1996) — and game audio on Sonic the Hedgehog 3.
45 Yrs Experience Motown / Universal 2× Super Bowl

The engineer speaks.
The plugins listen.

Describe the sound in your own words and keep your ears on the music.

Bobby Brooks  ·  Sentient Systems Labs